Covid-19 Exhibition consisted of large-scale illustrations created for an exhibition at the Rothschild Gallery, addressing the collective experience of the pandemic year. The works reflect on states of suspension, vulnerability, and adaptation that characterized this period.
Printed and sewn onto canvas, the illustrations occupy a space between image and textile, emphasizing materiality, tactility, and the physical presence of the works within the exhibition space.

2021

Graduation project consisting of seven illustrations printed on canvas. The works are centered on Yom Kippur, approached not solely as a religious event but as a dense cultural and symbolic framework. The imagery draws on ornaments and visual motifs from Jewish tradition, informed by descriptions found in Talmudic and Kabbalistic sources, liturgical texts, and personal childhood memories.
Through this convergence of textual, ritual, and autobiographical references, the project examines Yom Kippur as a layered space of introspection, collective memory, and archetypal reflection, translating inherited narratives into a contemporary visual language.

2019

Wolf Laws is a series of three silk handkerchiefs depicting narratives of women drawn from the book Women Who Run with the Wolves by Clarissa Pinkola Estés. The selected stories focus on moments of self-discovery, intuitive awakening, transformation, and growth forged through difficulty.
Encircling each illustration is a handwritten rendering of the “Laws of the Wolf” — a distilled set of principles that captures the spirit of the book. These inscriptions function as both personal and collective talismans: mnemonic guides that gesture toward resilience, orientation, and the capacity to return to oneself at moments of rupture and crossroads.

2025

Illustration Posters is a series of posters inspired by The Little Prince by Antoine de Saint-Exupéry. The series foregrounds the relationship between human presence and the natural world as articulated within the narrative, emphasizing themes of attentiveness, care, and responsibility.
Executed using a cross-etching technique, the illustrations draw on a visual language associated with engraving and manual mark-making, reinforcing the work’s contemplative pace and its dialogue between fragility and permanence.

2018

Illustration, 70 × 120 cm.
Printed on fabric with delicate pink embroidery.
The work is inspired by Jerusalem’s landscape, vegetation, city gates, and animals—both mythical and real. Embroidered details include ancient coins, archaeological drawings, city walls, houses from the Nachlaot neighborhood, and architectural fragments. At the center of the composition, a woman and a deer stand within a stone gate inspired by a gate near my former home in Ein Kerem.

2025

Illustration, 70 × 120 cm, printed on fabric and integrated with delicate pink embroidery. The work is inspired by the landscape of Jaffa, bringing together imaginary and realistic moments that coexist within the urban fabric. The embroidered details — a street cat, a figure practicing yoga, a cup of coffee, and the Yarkon estuary — function as markers of everyday life, movement, and human presence.
The composition is structured without a fixed center or periphery, without a clear up or down; all elements operate in a harmonious intermingling that reflects the layered, fluid character of Jaffa itself.

2025